Learning to talk in a foreign language

Many language learners have difficulty with even putting a sentence together.

Many independent language learners–following the approach typically taught in schools–get good at grammar and/or vocabulary, but when it’s time to converse, they have difficulty with even putting a sentence together. There are a number of ways to resolve this problem.

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Conversation involves at least two components: understanding what the other person is communicating and then somehow communicating your own thoughts. Understanding combines listening, paying attention to non-verbals such as facial expressions and gestures, and some background knowledge of the situation and culture. Speaking ideally should also include non-verbals and background knowledge (because it’s easy to assume that the other person knows what you’re talking about, but maybe they don’t). However, in this article, I’m only going to talk about forming sentences aloud, which is a major component of conversation.

 

Translating in your head? No problem

Thinking in your native language is often blamed for problems with forming sentences quickly, but that’s not necessarily the cause. It’s possible to get quick at thinking in your language, translating in your head, and still forming sentences aloud in a reasonable time. And with practice, you’ll find yourself translating less and less. Eventually, you’ll only translate when you try to say a sentence using a grammar form that you don’t know well.

Also, avoiding translation in the beginning is difficult for most people who learn languages on their own. Very few beginner courses are free of translation, plus translation is an excellent method for learning another language. In short, don’t concern yourself about whether you’re translating or not: Just pick a robust method of learning the language, practice often, persevere, and trust the process.

 

Many options available

All methods require a lot of time. Immersion by itself is known to work in the long run, but can be too slow, frustrating, and/or boring for many adult beginners to start with. Nonetheless, it’s certainly an option for those who want to use it. At the intermediate and advanced levels, some sort of partial or full immersion (i.e. a lot of listening and speaking) are mandatory for advancement, and certainly some listening practice is needed at all levels to make your speech sound less strange and foreign. Furthermore, technology is making it easier to read and listen more at an earlier stage in your learning. Just don’t feel obligated to get only or mostly input in the beginning if you don’t want to. This is just one approach to solve the problem.

Writing is another approach that some learners report has helped them greatly with their speaking. Whether you do the exercises in a grammar workbook, do creative writing in your target language, participate in text chats on the internet in that language, or keep a daily journal where you write only in that language, writing a lot can get you used to the grammar, vocabulary, and sentence formation in general. All of these will make it easier to speak later–but not necessarily easy. If you tend to avoid conversations in your native language, expect even more difficulty in another language–but writing a lot for a few months could make other approaches easier later on.

A specific form of writing that makes conversation a lot easier for me personally is to select a topic, then write some deep questions in the target language that might be asked in conversation, each followed by a one-paragraph answer of how I personally would answer it. Even if those specific questions don’t come up in conversation, I find I’m more prepared and can converse a lot more easily. (I write about this method more in depth in other articles on my blog.) A related method taught by Benny Lewis in his Language Hacking textbook series is to script a paragraph where you describe an aspect of your life (your family, a hobby, your favorite music, etc.) and then memorize that script so it’s always available whenever you converse in that language. Similarly, you can write and memorize quick answers that you can give to common questions such as whether you’re married or how long you’ve been learning that language.

A translation method could make it easier to understand how sentences are formed so that you can start forming your own sentences in conversation. Luca Lampariello, an Italian who has brought at least his Russian and English to very high levels of proficiency and who does public speaking in both languages, starts every language with a translation approach. He reports that it hasn’t worked as well for him for Japanese, but for European languages (not just languages similar to Italian), he reports very positive results. Bidirectional translation (Luca’s and Assimil’s method) involves translating a short text from your target language into your native language or English or another language you know well, comparing it to an existing translation, then translating it back into your target language, and checking it again. Innovative Language podcasts (such as FrenchPod101) are potentially good sources of texts (dialogs) that have both the target language text and the English translation on their downloadable PDF’s. Assimil textbooks are specifically designed for this method.

Audiolingual courses (such as the old FSI courses that are in the public domain–in other words, legally free for download) have been criticized and are therefore underutilized as an option. In my personal experience, they make a good supplement to other methods and resources, and have certainly helped me in the area of speaking and forming sentences. Specifically, the Russian grammatical forms that I feel most comfortable using in conversation are the ones I learned in an audiolingual course (Modern Russian 1 by Clayton Dawson, et al.). This particular textbook is not in the public domain, but Indiana University has made the audio freely available to the public. These courses are all very dry and tedious and won’t appeal to the average language learner, however.

Mass memorization of sentences, phrases, or dialogs is another method which requires a lot of patience but can make your speech a lot smoother-sounding and probably easier. But “mass” is the keyword here in that just memorizing a few dialogs or a few hundred sentences might not be enough to make speaking easier. However, it could be enough to immediately improve your pronunciation and especially your prosody (accent, rhythm, and intonation). You don’t even have to memorize anything completely, just repeat them many times over a period of days or weeks. Also, as I found out when I dabbled in Tagalog, it can be difficult for a complete beginner to start at the sentence or phrase level instead of with individual words–plus it’s a lot harder for me to memorize anything as a middle-aged adult. Book2 and Glossika both use this approach, and they provide thousands of sentences for you. In both cases, you can even select a source language that isn’t English: for example, you can learn Spanish from French or Vietnamese from German.

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Sentence mining can be combined with mass memorization. Sentence mining means that you select sentences (or, if you prefer, 2-5 word phrases) yourself from your reading or listening. Combining mining with memorizing means that you can be sure that your speech will sound more natural and comfortable to any native speaker of that dialect that you converse with later. The disadvantage is that it’s difficult to collect both the audio and text of a sentence together. If you only copy the written sentence and memorize it, how do you know if you’re pronouncing it correctly? You can always pay a native speaker to record the sentences for you, but that’s not always possible or convenient.

Finally, you can just converse a lot in your target language–preferably with a paid tutor if you can afford one–even as a beginner. This is the “speak from day one” approach popularized by Benny Lewis. It can be the most painful and difficult way at first–but like almost everything in life, it will get easier with a lot of practice. A good tutor will be patient with you and can help you a lot along the way, but you might have to try several tutors before you find one that you can work well with. Of course, practicing conversation is the only way to get good at it, but this approach starts a lot sooner than most people are comfortable with. It can be combined with any approach above for best results, using other methods on the days when you don’t have a session with your tutor.

 

My own path

As for me, I like to start with some listening to get used to the way a language sounds, then follow an audio course that specifically trains learners to create sentences aloud (my favorite of which is Michel Thomas–except for Mandarin Chinese). If no such course is available, I write the grammar I want to learn in a notebook and make a lot of my own sentences aloud (which works really well for me with Japanese and Korean, but which I find harder to apply to Russian)–and I also have to do more reading and/or listening, if I have to do it this way. Eventually I start spontaneously talking to myself in the language a little bit. From that point on, I purposely practice talking to myself with the help of a dictionary and/or topical vocabulary book. It’s hard at first but eventually becomes fairly easy. Then, I do a lot more listening practice to dialogs for beginners for a few months, then hire italki tutors for conversation practice via Skype for a few months. This approach works really well for me, but of course not for everyone. I explain each of these steps at length in other blog articles.

 

No one-size-fits-all

Don’t believe anyone who claims that everyone should learn a language in a particular way, especially if they downplay all other methods. Every successful foreign language learner has their own path of learning that works well for them. There is no method that works for everyone. Likewise, there is no method that doesn’t work for anyone. I’ve just summarized many different approaches–any of which, when followed for a long time, will make forming sentences in conversation a lot easier.

An exception is if some kind of mental or emotional illness (such as a social phobia) prevents you from conversing even in your native language. In that case, an input approach (mostly listening but with some reading) can at least allow you to understand what the other person is saying, even if you can only give brief answers yourself. Add writing if you enjoy it.

Try any of these methods and persevere with it if you enjoy it, or try another method if you don’t. They work best in combination: For example, I discovered that I improve in a language faster and retain it longer if I work on grammar, conversation, and listening every week.

Audio courses and review

I find a certain method of review a great foundation for conversation.

Audio courses vary considerably in how (or whether) they review what they’ve already taught. I group them into three general categories based on how useful I’ve found their review methods. I find a certain method of review a great foundation for conversation.

The most useful: Review by creating new sentences

Some courses teach new material by asking users to create sentences in their target language by translating sentences from English. For example, such a course might teach that hablo means “I speak” in Spanish and español means “Spanish” (the language). “How do you say, ‘I speak Spanish?’” I pause the audio and answer, “Hablo español.” The teacher or better yet a native speaker says the correct sentence, and I repeat.

The course goes on to teach other material and then comes back and reviews the word hablo by asking me to make a new sentence. “Francés means the French language. How do you say, ‘I speak French’?” Answer: Hablo francés. Now I’ve reviewed the word hablo and created a new (for me) sentence in Spanish. After an hour, I’ve said a lot of new sentences aloud, and after 10-12 hours, I find myself starting to talk to myself spontaneously in my target language. That’s a tremendous foundation for conversation.

Courses in this category include Michel Thomas, Language Transfer, and Jumpstart (by LanguageBoost)–the same courses I mentioned in my recent blog article, “Creating new sentences aloud, part one.” https://oregonpolyglot.com/2018/11/12/creating-new-sentences-aloud-part-one/

Audiolingual Method courses (such as the old FSI courses available for free on the Yojik website) fall under this category as well. Learners are encouraged to memorize the dialogs at the beginning of each lesson. Then, in the grammar drills section, certain sentences from the dialog are used as model sentences for the drills. Following cues, learners create new sentences by substituting words or somehow altering the model sentences (e.g. making them negative, changing them into questions, etc.). They then hear and repeat the correct answers. They’re supposed to do the drills with the book closed. It’s possible, however, to listen to and/or read the drills with the correct answers once or twice first, then do the drills one or more times with the book closed. No matter how it’s done, they review by generating new sentences in their target language or learning 6-12 sentences that exemplify a grammatical point instead of just 1-2 sentences.

Newer Paul Noble courses like “Next Steps in German with Paul Noble” fall into this category, but older courses like “Learn German with Paul Noble” do not, in my experience.

Somewhat useful: Review by recalling already-learned sentences

Audio courses in this category start off the same way–teaching one or two sentences that exemplify a grammatical point or a useful expression–but review by asking users to recall the sentences they learned earlier. For example, the word hablo is taught with the sentence “Hablo español” and reviewed with the same sentence, “Hablo español.” After an hour, I’ve said “Hablo español” several (or many) times. After 10-12 hours, I’ve learned a fair amount of useful example sentences, but I don’t spontaneously start talking to myself in my target language. (Other people have reported that they do, but that hasn’t been my experience personally.)

There’s a way I get around this shortcoming: After a lesson, I review some of the sentences on my own, and then create new sentences by substituting words from one sentence into another (and hope that I don’t make grammatical errors in the process, since I have no one to check my work). I talked about this in my blog article, “Creating new sentences aloud, part two.” https://oregonpolyglot.com/2019/01/25/creating-new-sentences-aloud-part-two/

Courses in this category include Pimsleur, Paul Noble (earlier courses), Rocket Languages, and Glossika. They’re all fine courses. I use them and recommend them to others; I just have to work harder to supplement them in order to get the same results as the courses in the first category.

Less useful: No review

Next you have many courses that include no review whatsoever, but they at least provide a lot of example sentences. I have to split my time between continuing with new lessons and reviewing old lessons. (Granted, even in the first category, I might study a lesson twice, if the material is completely new and difficult for me–but twice is sufficient.) Here, spaced repetition might be useful. Hypothetically, I could review a lesson after a day, a few days, a week, etc. In addition to review, it’s also helpful for me to create new sentences on my own after reviewing the lesson, though I have no way to verify whether I create the new sentences correctly.

Courses in this category are basically audio phrase books, like the old cassette Language/30 courses (some available now for download at eStories). A good contemporary example is Book2 (also called 50 Languages), which is free of charge. I like these courses, too, but they aren’t my first choice.

Some audio courses are primarily lists of words to be repeated. They’re still far better than learning just from a book without audio, but pedagogically they’re far inferior to everything I talked about above. Review means replaying the audio many times, and if I make my own sentences, they’ll probably be both grammatically incorrect and unnatural to native speakers’ ears. I would consider these courses last resorts or mere supplements.

Examples include the Behind the Wheel series and Vocabulearn. Actually, a surprising number of courses aimed at tourists and inexperienced language learners fall under this category. I tend to lose interest after 10 minutes and am not motivated to review them, personally.

No matter what

My approach as a beginner is to create new sentences and to use mostly audio courses whenever possible. A textbook with a lot of audio (e.g. Dos Mundos) or dialogs with transcripts (Olly Richards’ Conversations series or Innovative Language podcasts) are helpful for reading and listening practice and can grow my vocabulary, but I tend to minimize written material as a beginner if I can. While dabbling in Tagalog this winter, I didn’t have that luxury, but in Swahili, I do.

NOTE: I made minor corrections and updates to this article on June 17, 2022.

Creating new sentences aloud, part one

This approach saved my Japanese and Korean

Creating new sentences aloud is my main approach to learning languages as a beginner. 

 

It prepares me for conversation (because when you speak, you’re always creating unique sentences–and if you can’t speak, it’s probably because you haven’t mastered that skill yet in the language you’re learning). It teaches me grammar without drills or exercises. It teaches me vocabulary with less memorization and less reliance on memory techniques such as mnemonics, memory palaces, or spaced repetition. It helps me to review and remember what my courses teach me, and makes the courses themselves less tedious and boring. It allows me to practice my languages anywhere, even in bed with the lights out or while taking walks. And it boosts my confidence and my motivation. For me, it makes learning more fun. 

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There are other polyglots that use this technique regularly: Jan van der Aa and Lucas Bighetti. They created a business that sells a course series called Boostcamp which follows this approach. I’m taking their German and Russian courses now. Their company is called Language Boost. I’ve heard of other language learners creating written sentences to practice new grammar, but I rarely hear of this technique being done with spoken sentences. 

 

There are several ways I go about this. First, if a course of this sort has already been created, I’ll use it. The ones I know about so far are Michel Thomas, Language Transfer, and Boostcamp. (I don’t count Pimsleur and Paul Noble because they tend to review the same sentences over and over again. I need to create as many new sentences as I can in order for this method to work.) These three courses all teach one word or a very small grammar point at a time, and then give sentences in English for learners to translate into the target language. After pausing the recording and translating the sentence aloud, I resume the recording, hear the correct answer, and then repeat that. By the end of each hour of the course, I’ve created many new sentences in the target language and immediately had my errors corrected. 

 

If a course doesn’t exist, one thing I often do is find a course that has a lot of example sentences or dialogs in audio recordings, such as Glossika, Book2, or an Audiolingual Method course. I generate new sentences based on the sentences in the audio. But my method in this case will require a little time to explain (I think), so I’ll save that explanation for the second part of this blog post. 

 

Another option is to find a list of high frequency words that are often used in conversation and add some words I look up in a dictionary (because there are words which I use frequently but other people don’t, such as hobby jargon). Currently, I’m using the Vocabooster Indonesian course (also by Language Boost) which is a list of 500 words and expressions used frequently in conversation along with an example sentence for each and a casual language variant of the example sentence. I use whatever tools I can to help me with that list, such as Forvo (for pronunciation). If example sentences aren’t provided with the list, Tatoeba or Reverso Context are good tools to provide example sentences showing how those words are used in sentences–however, I haven’t used those websites much yet, though I feel that I should. 

 

The last option is to create my own materials by skimming through a grammar reference book or textbook for grammatical constructions that I want to use in conversation, writing brief notes and/or example sentences in a pocket notebook, and then using the notebook to practice creating my own sentences while I go hiking or take walks (somewhere where not many people can see me). I often have a second notebook for vocabulary I want to learn, or I use a pocket-sized topical vocabulary book (such as the series by Barron’s). 

 

The human mind seems to be inefficient when it comes to memorization. When we try to memorize grammar or vocabulary, we often end up with huge lists of words to review (even with the help of spaced repetition software) and then we still forget the words when we want to use them. I believe that using vocabulary is the best approach to remembering it–and the same goes for grammar. If we want to read well, we need to encounter the grammar and vocabulary a lot in our reading. If we want to speak well, we need to use the grammar and vocabulary a lot in our speaking (in context–that is, in sentences, monologs, or conversations). But as you can imagine, there are weaknesses to this approach, and those will be the topic of the third part of this blog article. 

 

What I can say is that this approach saved my Japanese and Korean. I couldn’t find courses I liked for Korean. Even the courses I liked for other languages weren’t as good in Korean. With this approach, I created my own study materials and kept learning the language. As for Japanese, I had studied it for years but still had no ability to converse in it, and this approach prepared me for conversation by helping me to learn a lot of grammar so that I could express a wide variety of thoughts and ideas when I speak. You can see the results in my Instagram account ( https://www.instagram.com/and_e_r/ ). I achieved B1 conversational skill a year or two ago (but only practiced reading since then, so now I’m working my way back to conversational B1 and beyond). 

 

(to be continued) 

How I became an auditory learner

I hope my example will show you that it’s possible to train yourself to switch modes of learning.

Like most people, I started out preferring to learn languages primarily visually, from textbooks and the like. Audio input was also important, but it was meant to support the written textbook and certainly not to stand alone. As a result, I tended to know spelling better than pronunciation, and reading was a lot easier than listening. 

Fortunately, one of the first foreign language courses I bought (after completing Spanish Now, Level 1, a self-study textbook with audio found in many US bookstores) was Just Listen ‘n Learn Spanish published by Passport Books. It was a textbook with 3 audio cassettes (yes, this was a long time ago), but the book was intended to support the audio rather than the other way around. The course (now way out of print) was centered around short dialogs between a couple of hosts and native speakers. If they weren’t speaking at native speed, they at least spoke fast enough to maintain their natural intonation and rhythm. To me, as a beginner, it felt like they were speaking native speed. I get the impression that the host or hostess would guide the conversation, but that they couldn’t control what the native speaker would say–except in the listening exercises at the end of each section, which were totally scripted and slowly-spoken. I loved that course. It was also my first introduction to a primarily input-based approach to language learning. 

I also bought and started studying Practice and Improve Your French (also on cassettes with books to support them), which was even more listening-based than the Just Listen ‘n Learn series–but targeted to low-intermediate or high-beginner learners. The dialogs were scripted, but read by enthusiastic voice actors which made it entertaining. 

I struggled a lot in Japan and South Korea because I still preferred to learn visually, and because I’m a reclusive introvert. Even though one of my goals for living in Japan was to master the language, I spent most of my spare time doing reading practice and never learned conversation until years after I returned to the US. 

Then I started delivering pizzas and driving hour-long commutes to various IT temp jobs. This gave me a lot of potential study time in my car but little time in front of a desk (which was–and is–usually too messy to study at anyway). This situation forced me to change my study tactics. 

I either had to use completely-audio materials (such as podcasts intended to teach a foreign language to beginners) or primarily-audio materials (Audiolingual Method courses, which included a textbook but which were intended primarily to be studied by audio). Over time, I discovered Pimsleur (which I studied for a long time but then got sick of) and then Michel Thomas (which I still love). More recently, I discovered Glossika (which I like) and Language Transfer (which I like even more). I’ve spent a lot of time listening to podcasts by Innovative Language (which I like) and Deutsche Welle (which I love). 

When there is an accompanying textbook or PDF, I either listen to the audio first before reading the text (e.g. podcasts), or I read the textbook first and then put it away and use only the audio (as in the case with Audiolingual courses). 

Over the past few years, I’ve grown accustomed to learning primarily via audio. I no longer study in my car (because of concerns of distracted driving, and also because of problems with my car stereo). However, I study more and more in bed with the lights out. I try to study every morning when I wake up, working on making it a habit. Less regularly, I often study either when I go to bed (listening to dialogs until I get sleepy) or when I wake up in the middle of the night (making it easier to get back to sleep). 

If there are transcripts of the dialogs to read, I do so during my lunch break at work, and only after hearing the dialogs a few times. 

All of this listening and speaking makes it much easier for me to speak the language. Good listening comprehension takes a very long time to learn even with a mostly-audio approach, but it still comes easier now than it did when I used a primarily visual approach to learning. Now I often discover myself talking to myself in this or that language, spontaneously and unintentionally. That didn’t happen when I learned from primarily visual materials. 

Eventually I practice conversation with tutors via italki, but I’ve already written blog posts about that. Note that resources like italki and Skype didn’t exist when I started learning languages, and I only discovered them a few years ago. 

I hope my example will show you that it’s possible to train yourself to switch modes of learning. If you want to master conversation and listening eventually, try to rely less on written resources for learning languages. Find a balance that works for you, but it might take you a long way out of your comfort zone and even be frustrating sometimes. That’s normal: It doesn’t mean you’re stuck forever in a visual mode of learning. It just means you need more practice with audio resources. 

Why and how I use paper flashcards

For vocabulary to use in conversation, I primarily learn new words by using them in conversation

Some language learners rely heavily on memorization to acquire new vocabulary (such as Jan van der Aa and Olly Richards) while others don’t (such as Steve Kaufmann). I use flashcards, but not as my primary means for learning vocabulary. 

For vocabulary to use in conversation, I primarily learn new words by using them in conversation or while thinking aloud (talking to myself). I combine two approaches: (1.) I prepare for conversation practice by selecting a topic well in advance, looking for useful words in topical vocabulary books (especially those by Andrey Taranov and Barron’s), writing questions and answers on the topic in my target language, talking to myself on the topic for practice while looking up words in a dictionary as I need them, and then practicing conversation with tutors on Skype. (See my blog post “How I use italki” for details.) (2.) During our conversation sessions, the tutors type new words and error corrections for me. When I invest the time to study those new words between sessions (and I’m not consistent about doing this), I can use them during the next session. If I use a word a few times in conversation, I tend to remember it after that. 

For vocabulary in reading, I reread the same passages, read more novels by the same authors, or read more non-fiction on the same topic (such as several news articles on one topic). After I’ve read a word enough times, I eventually remember it for future reading. Sometimes I only have to read it a couple of times—sometimes many, many times—but it eventually becomes part of my known vocabulary. 

How can I learn words even more effectively using these methods (reading and conversation)? And how do I handle the difficulty of 2000-3000 Chinese characters encountered while reading Japanese? By supplementing my learning with paper flashcards. 

Since I learn words by using them (in reading or conversation), I don’t usually need to use mnemonics, Spaced Repetition Systems (such as Anki), memory palaces, the Goldlist Method, or other means. In fact, these approaches are too slow for my purposes. For example, Anki only reviews a word once a day, once every few days, or even once every few weeks. It won’t help me with the article or novel I’m reading now. I need something quicker. Also, with Anki, sometimes I skip a few days, and I eventually get tired of Anki and can’t bring myself to use it anymore. Both of these problems work against the SRS system of Anki. 

Paper flashcards come to the rescue. I can study them several times a day if I want, easily add and remove cards, have few decks or a lot, combine decks when they get small, and feel a sense of accomplishment as each deck gets smaller. If I’m distracted away from that language for a few days and don’t review my cards, I don’t feel guilty or penalized. Also, making my own cards helps me to learn them, and writing them by hand helps me to learn them. From the moment I write a card, I begin to learn it. 

I use half-size index cards or smaller. I either buy them at an office products store (or online–Oxford 10009 or similar, look it up) or I cut a regular index card into halves or thirds with scissors. They don’t need to be clean and neat because they’re only for my personal use. Remember, perfectionism is an enemy to language learners. 

When I started learning my first language independently (Spanish, when I was 17 years old), I cut up envelopes into small rectangles to make flashcards. If you’re a poor student, look for junk mail envelopes and other junk paper from the recycle bin with blank areas that you can cut up to make flashcards. If you must use an app instead of paper, look for an app that will let you have control, rather than an app like Anki that gives you limited control (such as the option to review a deck a second time in one day), but which isn’t designed for quick memorization. 

For my purposes, I actually memorize individual words out of context rather than memorizing sentences which contain the new words. If I used flashcards as my primary means of memorizing new words, I should definitely memorize whole sentences (or at least phrases)! I remember when I lived in South Korea and tried to learn Korean, after a while the Korean words started sounding alike and I couldn’t memorize them via flashcards anymore. Besides, the mind learns best in context. However, I already learn in context (through reading and conversation), so I don’t have to worry about that. I save time by memorizing individual words. 

My plan is to dash through many cards quickly and immediately use them rather than trying to learn them via flashcards. In fact, if I don’t use them within 48 hours after I remove them from my decks, I forget them. But since I am using them (and not just memorizing random lists of words from a textbook), there’s no problem. 

If I’m using the cards to help my reading (primarily to help me recognize new characters in Japanese which I encounter in my reading), I put the target language (Japanese) words on the blank side of the card and my native language (English) words on the lined side. The blank side is the front and the lined side is the back. I flip cards over from the bottom rather than left-to-right because that’s easier on the wrist. In other words, the words on the back are actually upside down. But after I flip the card, they’re right-side up again. The English side can be messy, with scribbled-out letters or extremely messy handwriting, but I try to make the Japanese side as clean and neat as I can. If I make a mistake while creating a card, I tear it in half and throw it on the floor or the desk, then later I put the pieces in the paper recycling box where the junk mail goes. 

If I’m using the cards for speaking, the lined side (with the English) becomes the front of the card and the blank side (with the target language, for example Korean) becomes the back. I still flip the card up from the bottom rather than left-to-right to preserve my wrist. The difference is, in this case, I try to make both sides somewhat clean and neat (without cross-outs)–but not perfect. The front should be clean-looking because it’s the clue I use for memorization. If I crossed out a wrong letter, the smudge of ink could become a mental clue to help me remember the word, and I don’t want that. Meanwhile, if there are smudges on the Korean side, the word won’t fix itself into my memory as easily. 

My cards are not there for completely learning words. They exist only to help me recognize them faster when I read or recall them faster when I speak. Therefore, as soon as a word seems easy to remember, I remove it from my deck. I either throw it into my recycling box or I put it in an index card storage box. The difference is, if I recycle it, I don’t plan to review it again ever but simply continue learning the word by using it. If I store it, I can review it again if I feel it’s necessary. For example, I stopped reading Japanese for a month, and when I returned to it, I had forgotten too many words. So I opened up the storage box and reviewed all those words, then put them back into storage. 

How do I know if I remember a word well enough to remove it? If I review a list of words without the flashcards and I still remember them, I don’t need those cards anymore. If I use one while speaking, I don’t need it anymore. Or if I read it with comprehension, I don’t need it anymore. Finally, if I recall it quickly and easily while studying the cards, it can remove it (but I’d better use it within 48 hours!). 

In Japan, they also use paper flashcards while learning languages. In fact, Japanese stores sell expensive, tiny, unlined flashcard decks on metal rings. I’ve also seen larger, lined card decks like small spiral notebooks where each card can optionally be removed via perforation. There are problems with this approach. First, if all of the cards are in a particular order, you can memorize them because of the order instead of the word on the front of the card. Second, it’s harder to remove cards when you’ve finished with them. 

I shuffle the cards as I study them. I actually use my pant thighs (or two piles on a table) to sort them. When I study a word and don’t remember it or get it wrong, I move it to the back of my deck. When I remember a word easily, I remove it from the deck. But when I remember it with difficulty or had to study the same card two or more times before I could remember it, I put it on my lap. The first word I remember goes on my left thigh, the second on my right, the third on my left, etc. When I finish studying the deck, I combine the piles and put the rubber band on them. Then, the next time I study that deck, the cards are in a different order than last time. It helps if I have a few small decks rather than one large one. Otherwise, the piles on my thighs get too thick and fall on the floor. Small decks also mean less delay before I see a word again, if I fail to remember it. 

In summary, I use flashcards to speed up my recognition or recall of words, not to learn words. Reading and conversation are my primary means of learning these same words. I only select words I want to use in conversation or words I encounter in my reading. Thus, it’s unusual for me to memorize a word and never use it. And when I get sick of flashcards for a few weeks, I can continue speaking and reading and learning words without guilt or penalty–other than the frustration of my recall being slower. 

Sentence build-ups

The point of this method is to make difficult things easy.

One of my favorite methods in learning languages is repeating recordings of native speakers, trying to speak as quickly as they do and copying their intonation, rhythm, and other aspects of their pronunciation. I pause after each sentence of a dialog and repeat it at least three times. If the sentence is too long, I pause it after each clause. Another day, I go through the same dialog again. Eventually, the long sentences that were difficult become relatively easy to say.

I believe this method has helped me immensely in my language learning. Not only does it improve my pronunciation–making it easier for native speakers to understand me–but it also improves my listening skills. The rapid speech of native speakers doesn’t bother me as much because I practice speaking quickly via this method. I believe that everybody learning a foreign language should spend part of their study time repeating after recordings–if conversation is one of their goals. It might even improve a person’s reading skills, especially if they’re a beginner.

They don’t even have to be dialogs. They could be individual sentences, such as those used in an audio phrase book such as Book2 or Language/30. Or you could do it with Glossika. Even the example sentences from the grammar section of your textbook will work, if they are also recorded in an audio file or an audio CD. If they aren’t, maybe you can hire a native speaker to record them for you.

Shadowing is a similar method which other people recommend, but which I haven’t tried. Essentially, you’re doing the same thing as I do, except you don’t pause the recording. Instead, you repeat what you heard while the speaker is still saying the sentence. You try to finish the sentence soon after the speaker did. This requires you to listen and speak at the same time. The technique sounds too stressful for me, which is why I pause the recording and repeat three times instead.

Once you have some practice repeating after recordings in your target language, you can even practice with written sentences. That is, you can use example sentences that you find anywhere–in a grammar book, in a textbook that doesn’t include audio, in a phrase book, or in a written article. With this technique, you start with the long words in the sentence and practice saying them until they are easy to say. Then you take short phrases (prepositional phrases, etc.) and repeat them a few times. Then longer phrases and clauses. Eventually, practice the full sentence until it’s easy. Review these same sentences another day. You may or may not need to build them up again.

I often do these steps in reverse order: First, I do sentence build-ups with the written dialog until I can say every sentence somewhat easily (or at least each long clause within the sentence). Then I repeat after the audio, listening for anything I’ve been saying incorrectly and focusing on correcting my errors. However, this way is risky because you can learn to say things incorrectly and then repeat them incorrectly after the audio. Still, it’s much easier (and less stressful!) to do it this way. Stress makes it harder to retain what you’re learning. If you have to adapt a method to reduce your stress, do so.

Don’t try this method for long periods of time. A few minutes here and there through your day will be much easier and give you better results, I think. If it starts becoming too difficult or you start feeling fatigued, stop. Come back later and try again. What’s difficult the first time might be surprisingly easy later or on another day. In fact, that’s one of the mottos I live by: “Everything is hard before it is easy.”–Goethe

The point of the sentence build-up method is to make difficult things easy. This includes speaking quickly, pronouncing long words, sounding more like native speakers so they understand you better, saying complex sentences, and understanding rapid speech.